An independent contemporary screen-dance project and Simge’s first contemporary work, exploring emotional defiance, inner release and the relationship between the body, space and camera. The project was developed and produced with Yuliia Palaida, with Simge taking full creative responsibility for the artistic vision, movement development, styling, dual blue-and-white lighting concept, and post-production pacing.

Shot at Cineview Studios in London with videographer Shomari Knott, the film was created as a fully professional studio production without a live audience. Drawing from contemporary movement sources while adapting them through her own practice.

The choreography translates personal psychological conflict into a visceral physical battle with an atmospheric underwater landscape. With the fluid chiffon garment that catches air and momentum, the costume visually extends the choreography's wave-like mechanics and echoing the force of an unseen current. Every movement choice reflects this internal struggle: sharp, rhythmically precise lines act as physical acts of defiance against an unseen current, while fluid contemporary lines capture the moments the tide takes hold.

Beginning in stark stillness under a cool blue palette and single white spotlight, the movement mirrors the score's emotional arc, matching the quiet restraint of the opening vocals before escalating into expansive spatial shifts, sudden freezes, and relentless floorwork as the instrumentation builds. Through close camera proximity and intentional cut points, the edit captures the subtle tension between high vertical resistance and grounded physical release. Central to this atmosphere is dancer's direct shadow cast on set, which acts as a dual presence, personifying the second inner self and visually reinforcing the emotional duel taking place within. The piece resolves in a quiet, intimate concession, ending in a final surrender to the floor.